This Night I Will Possess Your Corpse

The second part of the famous trilogy about deviant undertaker in peleríně, a top hat and with long nails follows closely on the events of the previous episode, when he was presumptuous heathen in the end deservedly punished by the powers against which they so frantically blasphemed. In this much more ambitious production undertaken three years later, Mojica suggests that the joy of the happy, and at the time of the dictatorial regime in Brazil, the inevitable end was only apparent. It seems that not even supernatural forces can not prevent That Caixão (José Mojica Marins) in his now even scarier and more inventive quest for the perfect body. An outcast secretly returns from the burial to the village. Here will continue to search for the ideal woman who would give him gave birth to a dream child. Together with a helper hunchback Bruno (Jose Lobo) That gradually abducting unsuspecting victims and tests their appropriate maternal instincts perverted methods. They all show as inappropriate, and that's why they die in terrible agony for the use of the unprecedented funds, such as the bites of poisonous spiders or strangulation actual snakes (the actress later showing authentic implementation of these naturalistic scenes and verbal commentary). In a dramatic scene That accidentally kills a pregnant woman, which, as the next instant he finds out, should bear an his offspring. Above the digger so hangs a terrible curse, which fills in a stunning finale: how else, than hrůzyplnou the visions of those nejnepředstavitelnějších hellish torment. Although Mojica for the whole frame built up an atmosphere in which applies suggestive black-and-white lighting of guaranteeing the desired expression, at the conclusion of the shocks the viewer even more intense explosion of unprecedented scenes, a sequence depicting hell because all the deliberately to scan in color, Technicolor. The horrors That Caixão thanks to the carnival of diversity are gaining even greater efficiency, especially with the help of a bizarrely surreal stylization of the individual hellish torment, for which a rendition should probably be ashamed of even the Marquis de Sade.Continuation of the series of the perverse deeds of the fanatical gravedigger Ze, possessed by siring a pure race, brings in a series of Mojicových films another dimension. Originally a more classic form of ovlivěná period regime suddenly picks up the bolder proportions of the experiment. From the desire for the breaking up of classical narrative and of the efforts for an even stronger suggestion is evident for the pure joy of the fascination of the medium.